Bobby Williams - Funky Super Fly
Funky admins : funkiness, Wonder B, silverfox
Bobby Williams - Funky Super Fly
Je ne sais pas pour le single mais au niveau du LP j'ai toujours entendu dire que ça venait d'en bas! LOL C'est Aldo (d'A-1 à NYC) qui avait touché la première copie que j'ai vu et ça se passait à la fin des années 80 et il revenait avec cette galette toute fraîche d'un voyage de crate digging en Floride...
Sworn to fun
Loyal to none
Loyal to none
- funkiness
- Site Admin
Bobby Williams - Funky Super Fly
Sur la back cover, il y a écrit "Bobby Williams was born in Washington D.C."
Là on nage
Là on nage
funkiness brings you funk and happiness
Bobby Williams - Funky Super Fly
Il n'est pas d'iciiiiiiiiiiiiiiiiiiii il vient de là-baaaaaaaaaaaaaaaaaaaaaas LOOOOOOOOOOOOOOL
Sworn to fun
Loyal to none
Loyal to none
Bobby Williams - Funky Super Fly
UP !!!!! pour cet album disponible aussi en format CD.
Je trouve que "Let's Jam" (A3) possède une magie dans son groove, moins raw mais alors rapproche du sol avec force avec son beat chaud, profond, ultra ronflant de vibes.
Je trouve que "Let's Jam" (A3) possède une magie dans son groove, moins raw mais alors rapproche du sol avec force avec son beat chaud, profond, ultra ronflant de vibes.
"Music Makes You Move" : Funkhouse Express (1974) so... "HIT THAT ONE!" : JB
"They Call Us Wild But We Got Soul" : Wild Magnolias (1975)
"They Call Us Wild But We Got Soul" : Wild Magnolias (1975)
Bobby Williams - Funky Super Fly
Found a mention of "M.T.V.H" along with R.E.W. and M.T.H ... see following
O’Neal was kind enough to go over our 5000 word document on Chicago Blues in the 70s, filling out much needed background in places where information was thin. He ripped my paragraph on R.E.W. Record Distribution a new one, forcing me to go back and completely rework it. Here’s a glimpse at one of the most dense and untold stories of a record distributor you never wanted to know about.
Beyond what’s revealed by a handful of records bearing its three-letter acronym, very little of what is known about R.E.W. Record Distributors is rock solid. Fitting with Mack Simmons’ fast and loose business acumen, R.E.W. was part of a series of fly-by-night labels, distributorships, and promotional scams that began with Lynn’s Productions and labels such as Little Lynn’s, Reginald, Henvick, and Big Beat in Greenville, Mississippi. From there it morphed into V.H. & L. Circle Distributors, with many releases paid for by the artists who were also required to give the distributor 500 free copies for promotion. Bearing the R.E.W. stamp were singles by Harmonica Williams, who songs were stripped out of an LP on the Ahura Mazda label from New Orleans, two by Florida’s Bobby Williams, southern soul singer Chuck Armstrong, and finally Lady Margo popped up on the R.E.W.-distributed M.T.H. label. Joyce “Lady Margo” Fargo had issued two singles on the Soul World label before the second was inexplicably “reissued” on M.T.V.H. Records, which was distributed by M.T.H., who slapped their logo on top of her third single, 1974s “This Is My Prayer (To Find Someone Of My Own),” with R.E.W. listed as the distributor. Confusing? That word best describes R.E.W.’s entire business model.
O’Neal was kind enough to go over our 5000 word document on Chicago Blues in the 70s, filling out much needed background in places where information was thin. He ripped my paragraph on R.E.W. Record Distribution a new one, forcing me to go back and completely rework it. Here’s a glimpse at one of the most dense and untold stories of a record distributor you never wanted to know about.
Beyond what’s revealed by a handful of records bearing its three-letter acronym, very little of what is known about R.E.W. Record Distributors is rock solid. Fitting with Mack Simmons’ fast and loose business acumen, R.E.W. was part of a series of fly-by-night labels, distributorships, and promotional scams that began with Lynn’s Productions and labels such as Little Lynn’s, Reginald, Henvick, and Big Beat in Greenville, Mississippi. From there it morphed into V.H. & L. Circle Distributors, with many releases paid for by the artists who were also required to give the distributor 500 free copies for promotion. Bearing the R.E.W. stamp were singles by Harmonica Williams, who songs were stripped out of an LP on the Ahura Mazda label from New Orleans, two by Florida’s Bobby Williams, southern soul singer Chuck Armstrong, and finally Lady Margo popped up on the R.E.W.-distributed M.T.H. label. Joyce “Lady Margo” Fargo had issued two singles on the Soul World label before the second was inexplicably “reissued” on M.T.V.H. Records, which was distributed by M.T.H., who slapped their logo on top of her third single, 1974s “This Is My Prayer (To Find Someone Of My Own),” with R.E.W. listed as the distributor. Confusing? That word best describes R.E.W.’s entire business model.
- funkiness
- Site Admin
Bobby Williams - Funky Super Fly
Thanks ! Confusing indeed...
funkiness brings you funk and happiness
Bobby Williams - Funky Super Fly
There was so much going on underneath back in those days, no wonder the stuff that a lot of these 'shady' labels is so hard to find these days...
Sworn to fun
Loyal to none
Loyal to none
Bobby Williams - Funky Super Fly
Je suis un peu perdu avec toutes ces rééditions, sur Discogs on voit que la P-Vine cote plus que la R&R alors qu'elles ont l'air identiques.
- funkiness
- Site Admin
Bobby Williams - Funky Super Fly
L'édition P-Vine est peut-être de meilleure qualité, ce ne serait pas la première fois. Je me suis contenté de la rééd vinyle US, et j'en suis satisfait.
funkiness brings you funk and happiness
Bobby Williams - Funky Super Fly
Tiens ! Je n'avais rien dit au sujet de ce Lp de fou !!! Je vois quand même que les réeds commencent à devenir chères J'ai perso la réed US, mais ça va, pas le choix de toutes façons ; lol
Retrouvez Moi Sur : https://www.mixcloud.com/getfunkyfresh/
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